{"id":428,"date":"2020-12-01T23:06:19","date_gmt":"2020-12-01T23:06:19","guid":{"rendered":"http:\/\/spurana.varida.in\/?p=428"},"modified":"2020-12-01T23:06:19","modified_gmt":"2020-12-01T23:06:19","slug":"dwadasha-stothra-3-verse-4","status":"publish","type":"post","link":"https:\/\/spurana.varida.in\/index.php\/dws\/dwadasha-stothra-3-verse-4\/","title":{"rendered":"Dwadasha stothra 3 : Verse 4"},"content":{"rendered":"\n<p><strong>Kundendu sanibham vande sudharasa sanibham vibhum<\/strong><\/p>\n\n\n\n<p><strong>&nbsp;Jnana mudra pushtakaadhi shankhakshayudha dharinam ||4||<\/strong><\/p>\n\n\n\n<p>This shloka in particular talks about hayagreeva roopa. It also throws light upon different roopas based on different ayudhas used.<\/p>\n\n\n\n<p><strong>Kund inda sanibham<\/strong> \u2013<\/p>\n\n\n\n<p><strong>Kunda<\/strong> \u2013 jasmine flower . Narayana has color like Jasmine. His color is attractive and pleasant.<\/p>\n\n\n\n<p><strong>Indu sanibham<\/strong> \u2013 like rays of moon. These illustrations are given to help us meditate on his form.<\/p>\n\n\n\n<p><strong>Sudharasa nibham <\/strong>\u2013he is like flood of nectar<\/p>\n\n\n\n<p><strong>Vibhum <\/strong>\u2013 He is present like this in whole world<\/p>\n\n\n\n<p><strong>Aksha<\/strong> \u2013 Japa sara<\/p>\n\n\n\n<p><strong>Subhoda <\/strong>\u2013 Jnana mudre \u2013 always in right hand<\/p>\n\n\n\n<p>In <strong>tantrasara sangraha , Acharyaru describes Hayagreeva roopa using following words<\/strong> &#8211; <\/p>\n\n\n\n<p><strong>Turanga vadana \u2013 <\/strong>Horse like face, <strong>shashibimbha samstham<\/strong> \u2013 He stays in Chandra mandala, <strong>Chandra<\/strong> <strong>avadatham<\/strong> \u2013 his intensity is pure like that of moonlight&nbsp;<\/p>\n\n\n\n<p><strong>Significance of Aadhi and ayudham in this shloka:<\/strong><\/p>\n\n\n\n<p>Aadhi signifies that instead of pustaka there might be other things in the hand.<\/p>\n\n\n\n<p><strong>Illustration:<\/strong><\/p>\n\n\n\n<ul><li>Jnana mudre and abhaya mudre = Vedavyasa roopa, kapila, dattarareya roopa<\/li><li> chakra, shanka dhara = nrisimha roopa , gayatri roopa.<\/li><li>Chakra, gadhe, jnana mudre, shanka = Vamana roopa<\/li><li>Parashu = Parashurama<\/li><li>Jnana mudre, shrnga = rama = \u201d jnanam sharam (bow) cha dadham \u2026\u2026.. sametham\u201d<\/li><li>Shanka, chakra ,Vara, abhaya = Krishna roopa, Varaha roopa<\/li><li>Ayudha for Nrisimha roopa is also described as aridhara, shanka roopa, kaDaga, shrnga, gadhe, onake (musala), pasha, ankusha<\/li><\/ul>\n\n\n\n<p>This shloka also signifies the 50 roopas of bhagavantha which is equivalent to the number of aksharas from a to ksha. Sanyuktha askshara signifies sanyukta roopa which is nrisimha avatara. Each of these aksharas can be thought of as having been originated from one of the 8 letters of Omakara.<\/p>\n\n\n\n<ul><li>1<sup>st<\/sup> letter \u2013 swaragaLu<\/li><li>2<sup>nd<\/sup> letter \u2013 Ka varga<\/li><li>3<sup>rd<\/sup> letter \u2013 cha varga<\/li><li>4<sup>th<\/sup> letter \u2013 Ta varga<\/li><li>\u00a05<sup>th<\/sup> letter \u2013 Tha varga<\/li><li>\u00a0\u00a06<sup>th<\/sup> letter \u2013 Pa varga<\/li><li>\u00a0\u00a07<sup>th<\/sup> letter \u2013 ya ra la va<\/li><li>\u00a0\u00a08<sup>th<\/sup> letter \u2013 ksha sa ha la<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>Akshara<\/strong><\/td><td><strong>Bhagavath Roopa<\/strong><\/td><td><strong>Body part<\/strong><\/td><\/tr><tr><td>a<\/td><td>&nbsp;aja<\/td><td>&nbsp;Head<\/td><\/tr><tr><td>Aa<\/td><td>AnaMda<\/td><td>&nbsp;Face<\/td><\/tr><tr><td>i<\/td><td>iMdra<\/td><td>&nbsp;Right eye<\/td><\/tr><tr><td>I<\/td><td>Ishvara<\/td><td>&nbsp;Left eye<\/td><\/tr><tr><td>u<\/td><td>&nbsp;ugra<\/td><td>Right ear<\/td><\/tr><tr><td>U<\/td><td>&nbsp;Urja<\/td><td>&nbsp;Left ear<\/td><\/tr><tr><td>Ri<\/td><td>RituMbhara<\/td><td>&nbsp;Right nostril<\/td><\/tr><tr><td>RI<\/td><td>RIgha<\/td><td>&nbsp;Left nostril<\/td><\/tr><tr><td>lRi<\/td><td>lRiSha<\/td><td>&nbsp;Right cheek<\/td><\/tr><tr><td>lRI<\/td><td>lRiUja<\/td><td>Left cheek<\/td><\/tr><tr><td>E<\/td><td>&nbsp;EkAtma<\/td><td>&nbsp;Upper lip<\/td><\/tr><tr><td>ai<\/td><td>&nbsp;aira<\/td><td>&nbsp;Lower lip<\/td><\/tr><tr><td>o<\/td><td>OjObhRita<\/td><td>&nbsp;Upper teeth<\/td><\/tr><tr><td>ou<\/td><td>&nbsp;ourasa<\/td><td>&nbsp;Lower teeth<\/td><\/tr><tr><td>aM<\/td><td>&nbsp;aMta<\/td><td>Top of head<\/td><\/tr><tr><td>aH<\/td><td>&nbsp;aRdhagaRbha<\/td><td>Inner tongue<\/td><\/tr><tr><td>Ka<\/td><td>&nbsp;kapila<\/td><td>Right shoulder joint<\/td><\/tr><tr><td>kha<\/td><td>&nbsp;khapati<\/td><td>&nbsp;Right elbow joint<\/td><\/tr><tr><td>ga<\/td><td>&nbsp;garuDa<\/td><td>&nbsp;Right wrist joint<\/td><\/tr><tr><td>gha<\/td><td>ghaRma<\/td><td>Right finger joint<\/td><\/tr><tr><td>N<\/td><td>NsAra<\/td><td>&nbsp;Right finger keys<\/td><\/tr><tr><td>cha<\/td><td>chARvANga<\/td><td>Left shoulder joint<\/td><\/tr><tr><td>Cha<\/td><td>&nbsp;chaNdOgamya<\/td><td>Left elbow joint<\/td><\/tr><tr><td>ja<\/td><td>janARdana<\/td><td>Left wrist joint<\/td><\/tr><tr><td>jha<\/td><td>&nbsp;jhoTatAra<\/td><td>Left finger joint<\/td><\/tr><tr><td>n<\/td><td>nma<\/td><td>&nbsp;Left finger keys<\/td><\/tr><tr><td>Ta<\/td><td>&nbsp;TaNki<\/td><td>Right thigh joint<\/td><\/tr><tr><td>Tha<\/td><td>&nbsp;Thalaka<\/td><td>Right knee joint<\/td><\/tr><tr><td>Da<\/td><td>&nbsp;Daraka<\/td><td>Right ankle joint<\/td><\/tr><tr><td>Dha<\/td><td>DhariNa<\/td><td>&nbsp;Right finger joint<\/td><\/tr><tr><td>Na<\/td><td>Natma<\/td><td>Right finger keys<\/td><\/tr><tr><td>ta<\/td><td>&nbsp;tArA<\/td><td>Left thigh joint<\/td><\/tr><tr><td>tha<\/td><td>&nbsp;thapa<\/td><td>&nbsp;Left knee joint<\/td><\/tr><tr><td>da<\/td><td>&nbsp;daNDI<\/td><td>Left ankle joint<\/td><\/tr><tr><td>dha<\/td><td>dhanvI<\/td><td>&nbsp;Left finger joint<\/td><\/tr><tr><td>na<\/td><td>&nbsp;namya<\/td><td>&nbsp;Left finger keys<\/td><\/tr><tr><td>pa<\/td><td>&nbsp;Para<\/td><td>Stomach right<\/td><\/tr><tr><td>pha<\/td><td>phalI<\/td><td>&nbsp;Stomach left<\/td><\/tr><tr><td>ba<\/td><td>balI<\/td><td>&nbsp;Hips<\/td><\/tr><tr><td>bha<\/td><td>&nbsp;Bhaga<\/td><td>&nbsp;Genitals<\/td><\/tr><tr><td>ma<\/td><td>&nbsp;Mana<\/td><td>&nbsp;Belly<\/td><\/tr><tr><td>Ya<\/td><td>yajna<\/td><td>Chest<\/td><\/tr><tr><td>ra<\/td><td>rAma<\/td><td>tvagINdra<\/td><\/tr><tr><td>la<\/td><td>\u00a0lakshmIpati<\/td><td>&nbsp;skin<\/td><\/tr><tr><td>va<\/td><td>varAha<\/td><td>&nbsp;Flesh<\/td><\/tr><tr><td>sha<\/td><td>shANta saNvit<\/td><td>&nbsp;Blood<\/td><\/tr><tr><td>Sha<\/td><td>&nbsp;ShaDguNa<\/td><td>&nbsp;Fat tissues<\/td><\/tr><tr><td>sa<\/td><td>sArAtma<\/td><td>&nbsp;Nerve tissues<\/td><\/tr><tr><td>ha<\/td><td>&nbsp;haMsa<\/td><td>&nbsp;Bones<\/td><\/tr><tr><td>La<\/td><td>&nbsp;LALuka<\/td><td>&nbsp;PrANa<\/td><\/tr><tr><td>Ksha<\/td><td>&nbsp;lakshmI narsiMha<\/td><td>&nbsp;jIva&nbsp;<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>Ayudhas for all 50  roopas: shankha left upper hand, chakra upper right hand ,abhaya lower right hand, varada lower left hand\u00a0 for 47 roopas<\/p>\n\n\n\n<p>For remaining 3 roopas there is no abhaya hasta in lower right hand. They are ta kara, da kara , dha kara<\/p>\n\n\n\n<ul><li>Ta kara \u2013 tanki roopa \u2013 tanka means chisel<\/li><li>\u00a0Da kara \u2013 dandi roopa &#8211; danda<\/li><li>\u00a0Dha kara \u2013 Dhanvi roopa \u2013 dhanus<\/li><\/ul>\n\n\n\n<p>Hence this shloka tells about totally <strong>60 roopas of Narayana<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kundendu sanibham vande sudharasa sanibham vibhum &nbsp;Jnana mudra pushtakaadhi shankhakshayudha dharinam ||4|| This shloka in particular talks about hayagreeva roopa. It also throws light upon different roopas based on different ayudhas used. Kund inda sanibham \u2013 Kunda \u2013 jasmine flower . Narayana has color like Jasmine. His color is attractive<\/p>\n","protected":false},"author":1,"featured_media":429,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[102],"tags":[139,40,103,63,140,138,126],"_links":{"self":[{"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/posts\/428"}],"collection":[{"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/comments?post=428"}],"version-history":[{"count":1,"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/posts\/428\/revisions"}],"predecessor-version":[{"id":430,"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/posts\/428\/revisions\/430"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/media\/429"}],"wp:attachment":[{"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/media?parent=428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/categories?post=428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/spurana.varida.in\/index.php\/wp-json\/wp\/v2\/tags?post=428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}